Categories
1900s African American Authorship Decade Ocean Poem Song

Sea Lyric

Sea Lyric

By William Stanley Braithwaite
Annotations by Rene Marzuk
Artist Unknown. Portrait of a Black Sailor (Paul Cuffe?). Oil on canvas, c. 1880, Los Angeles County Museum of Art. Public Domain.
Over the seas to-night, love,
  Over the darksome deeps,
Over the seas to-night, love,
  Slowly my vessel creeps.

Over the seas to-night, love,
  Walking the sleeping foam—
Sailing away from thee, love,
  Sailing from thee and home.

Over the seas to-night, love,
  Dreaming beneath the spars—
Till in my dreams you shine, love,
Bright as the listening stars.
       
Braithwaite, william stanley. “Sea Lyric,” IN THE UPWARD PATH: A READER FOR COLORED CHILDREN, ED. MYRON T. PRITCHARD AND MARY WHITE OVINGTON, 189. HARCOURT, BRACE AND HOWE, 1920.

Contexts

This poem appeared in The Upward Path: A Reader for Colored Children, published in 1920 and compiled by Myron T. Pritchard and Mary White Ovington. The volume’s foreword states that, “[t]o the present time, there has been no collection of stories and poems by Negro writers, which colored children could read with interest and pleasure and in which they could find a mirror of the traditions and aspirations of their race.”

“Sea Lyric” was initially included in Braithwaite’s 1904 poetry book Lyrics of Life and Love, wherein the poem was not segmented into stanzas.

Categories
1860s Essay Ocean Water

A Day on Carysfort Reef

A Day on Carysfort Reef

By Elizabeth Cabot Cary Agassiz
Annotations by Josh Benjamin
Original illustration by John Harley from Our Young Folks, p. 536.

I PROMISED to write you, my young friends, from the Florida Reefs, and I perhaps I cannot do better than to give you the narrative of a single excursion, — one which you would have enjoyed as much as we did, could I have invited you to share our holiday. Do you remember that in a former chapter I spoke of a channel lying between the Reef and the Keys, called the “Ship Channel”? I told you that it made a very quiet anchorage, and that, when there was a storm in the Gulf of Mexico, vessels were very glad to find shelter in this channel, and wait till the blow was over.

This was our case. We had started from Key West some days before, on board the steamer Bibb, for a cruise in the Gulf Stream off the Florida coast. We were intending to make soundings, — that is, to ascertain the depth of the water in certain parts of the Stream, and to see what was the strength and direction of the currents, and at the same time to dredge on the ocean bottom for any animals which might be living there.

I say we, because I was looking on, and so it seemed to me as if I were helping, which is the way with a great many people who stand and look on and feel as if they did all the work. But in truth I did nothing at all, except to follow the operations with a great deal of interest, as I dare say you would have done; watching, especially when the dredge came up, to see what beautiful things it brought from the ocean depth. The dredge is a strong net fastened upon an iron frame, so heavy that it will sink very far in the water, and when loaded may fall even to a depth of several thousand feet. Being thrown over the side of the vessel it drags on the bottom, and scoops up whatever comes in its way.

I wish you could have taken a peep with me sometimes into the glass bowls, where, after the contents of the dredge were assorted, we kept the living animals. Sometimes you would have seen corals which you would surely have taken for flowers rather than animals. Their pure white cups, occasionally mounted on shells, were so frail and delicate that you would scarcely believe them to be hard till you touched them. Their soft tentacles gently stirring in the water only confirmed the deception. Here you have a picture of some of them, but you do not see their tentacles, because all their soft parts die and shrivel up when they are taken from the water. When the tentacles are spread out in the living animal they form a delicate fringe, extending beyond the edge of the cups, and are in constant motion. When drawn in, they lie folded like a colored lining against the inner side of the cup.

Original illustration by John Harley from
Our Young Folks, p. 536.

Then I should have shown you little shrimps of a bright red color, with large blue eyes, and tiny cuttle-fishes [1], and crimson, orange, or purple sponges, and feather stars as many tinted as the rainbow. Or look at this minute sea-urchin who has come up in a bit of rock, where he just fits into a little hole which he has worn for himself. That is the way he makes his house. I wonder whether when he grows bigger, as all young folks must do, he will enlarge his house to suit his dimensions. Now he is packed into it so snugly that there is no room to spare.

We had often beautiful sea-anemones also, though these did not usually come up in the dredge, but were caught when we made boating excursions to the land or to the shoals of the reef. Sometimes the body was orange color, while the tentacles were bright green; in other cases the whole animal was green; in others, pink or red. I remember two crimson ones which interested us especially, because they lived for many days, and we used to watch them. One day, some exceedingly small fishes, not more than a third of an inch in length, were caught in the hand-net, and chanced to be thrown alive into the glass bowl where these anemones were kept. They had not had anything to eat for some time, and I suppose they felt hungry, for presently I saw one of the anemones spread out his soft, treacherous feelers. Instantly one of the little fishes seemed to be stranded against them, entangled, no doubt, in the web of invisible cords thrown out from their lasso cells. I do not remember whether I told you about these singular weapons of theirs, when explaining the structure of the sea-anemone. Their tentacles are covered with little cells in which threads or whips, so delicate that they cannot be seen by the naked eye, are coiled up. When they desire to catch any prey they throw out these whips by hundreds, and no doubt the poor little fish was caught among them. At all events, it lay for a moment upon the tentacles, a slight quiver showing once or twice that it was not quite dead, and presently the tentacles closed in with it and drew it down to the mouth, where it soon disappeared. The other sea-anemone, observing that his companion was dining so sumptuously, followed his example and also helped himself to a fish, which disappeared after the same fashion. For some days after that our anemones looked remarkably well and thriving. Evidently their hearty meal agreed with them. Such were a few of our specimens, but indeed there was no end to the pretty things which we collected daily.

Unfortunately, however, our work was interrupted by what is called a “norther” in these regions; that is, a very strong blow from the north. We were very glad to take shelter behind the reef, in a harbor called “The old Rhodes,” which is entirely shut in by keys, as all islands about the Florida coast are called, and is therefore very quiet. We had been prisoners here for several days; we had exhausted all the excursions which could be undertaken in small boats in the neighborhood, and therefore we were delighted to wake up one morning after a heavy rain, and find that the sea had gone down, the sun was shining brightly, and the surface of the water was without a ripple. Glad to be once more on our way, we left old Rhodes, and, proceeding down the reef, anchored before Carysfort Lighthouse.

*”I owe this sketch to the courtesy of Colonel Blunt, of the U. S. Corps of Engineers” (Agassiz 539).

You must know that the Carysfort Light is a beacon famous on the reef, partly because its ray penetrates so far that sailors recognize it at a distance of more than twenty miles, and feel safe, for they know that, guided by its light, they can avoid the dangerous shore; and partly because its foundations strike fast and deep into one of the most beautiful and extensive fields of coral growth known on this or perhaps on any other coast. This field we wanted to see, and therefore we anchored very near the lighthouse. It is a singular structure, rising, as you see, directly from the ocean, without a foot of land about it; for you must remember that our coral field is under the sea. The light is lifted on a solid shaft a hundred feet above the surface of the water. This shaft is strengthened on the outside by an iron framework of columns slanting outward, and the rooms occupied by the keeper are built in between the shaft and the outside columns at about half height, standing perhaps some forty or fifty feet above the water.

After breakfast we rowed to the lighthouse, and, arriving under the columns, stepped from our boat on to a perpendicular ladder somewhat steep to climb, which brought us to a rough flooring. From this point there was a spiral staircase, by which we reached the rooms of the lighthouse-keeper. He was glad enough to see us, for he and his two assistants live a lonely life out on the reef, with no soul to speak to except each other, and nothing to do but to trim and feed the lamp on which so many lives depend, and watch the sails go by. He was an old man, who had led a seafaring life himself, and he told us that forty years ago he was wrecked on the very spot where Carysfort Light now ‘stands. I dare say that sometimes, when he lights up his huge lantern at dusk, and sets the lamp revolving within the great glass lenses which multiply its brilliancy a hundred-fold, he remembers the night when, if such a glowing eye had shone upon his track, he would have been saved from great disaster and loss.

This was not the only lighthouse we had visited on our cruise. A few weeks before we had stopped at one which was built on a rock in the ocean, so barren that Carysfort itself, with no land at all about it, seemed to me cheerful in comparison. I mention it because I think you will be surprised to hear that on this desolate rock there lived a family of children with their father and mother. Do you not think it must be a sad life? And yet they looked bright and happy, though they never have any other children to come and play with them, never see a green field or a flower, and never know what it is to run and play at will as children do on land, because the rock is so small, and is pierced with so many holes and caverns, that their parents fear to let them go about alone. I wished I had had some playthings, some pretty books or pictures, for them. But as it was, instead of my giving them anything, they loaded me with presents, bringing me, in a shy, affectionate way, all the pretty shells and stones which are their substitutes for playthings, and insisting upon my accepting them. But let us go back to Carysfort. I am forgetting the subject of our talk in telling you about those solitary little people anchored so far away from all your amusements and pleasures.

After we had talked with the lighthouse-keeper for a while, he invited us to step out upon a sort of ledge or balcony which runs around his rooms on the outside, and is protected by a railing. From this perch we looked down into the sea, and I want you to look down with me. If you do not, I am afraid you will hardly believe what I tell you.

As far as the eye could reach, the coral field stretched out around the lighthouse, and so transparent was the water, that we saw the ocean bottom as we might have seen a garden spread out beneath us. This comparison may, however, mislead you, and I think I have perhaps misled you already, when in a former chapter I compared the appearance of a growing coral reef to a shrubbery of waving, many-colored plants. When I wrote that I had never seen, and hardly expected to see, a coral reef, and I described its appearance as I had understood it from the descriptions of others. But Nature is not poor in invention. She does not simply repeat the grace and loveliness of her fields when she spreads her ocean floor with a beauty all its own. And though I confess that there is something in the branching, leaf-like growth of the corals, as well as in their motion and color, which reminds one of plants, yet I think there is a glory of the sea as there is a glory of the land, and they are not the same.

Original illustration by John Harley from Our Young Folks, p. 540.

The coral field consisted, in a great degree, of what are called leaf-corals (Madrepora palmata). They often, though not always, grow in spirals, their broad, flat branches rising tier upon tier, one above the other. Looking down upon them, I understood where the animals living upon the reef make their homes and find a shelter. Between the almost level floors of these expansions, which often stretch for many yards in circumference on one single stock, there are hundreds of protected recesses, little holes and shady nooks and corners, which seem, I dare say, like large caves to the small animals which inhabit them.

Numbers of fishes were playing among these spreading branches. Darting, shooting, winding in and out between the corals, seen one moment, hidden the next, chasing one another as if in a game of hide-and-seek, or following in shoals of twenty or thirty, as if bound on some special errand, they all seemed as busy and as happy as birds in a wood. Most of them were very brilliant in color. In some, the whole body was of the most vivid blue, others were blue and black, others, again, red and green, others black banded with yellow, and one, the most beautiful of all, was a bright canary color on the lower side, and dark violet above. Now and then some large fish, a garupa [2] or a barracuda, or even a shark, would pass by, and then all the smaller fry scattered, hiding themselves under the coral, and were seen no more till their enemy was out of sight.

We passed a couple of hours in the lighthouse, watching this strange and beautiful spectacle. We then returned to the ship for lunch, but started again in boats in the afternoon, for the purpose of floating over the whole expanse of the reef, and collecting coral. This was, if possible, more interesting, for, being almost on a level with the water, we could see every object beneath it with even greater distinctness than from the lighthouse, though at that height we had, of course, a more extensive view.

Original illustration by John Harley from Our Young Folks, p. 542.

I have mentioned especially the leaf-coral, because that was the most conspicuous at first sight; but there were many heads of brain-coral, or Mæandrina, of Astræa, commonly called Star Coral, and of Porites, ranging in size from little tufts not bigger than your fist to enormous masses from six to ten feet in diameter. There were many also of the more delicate branching kinds, known as finger-corals, and great numbers of the so-called sea-fans. These latter resemble plants so much, that in seeing them you cease to wonder at the frequent comparison of coral-beds to gardens or shrubbery. The broad expansions of the leaf-coral spread horizontally, and are perfectly rigid and motionless, the soft parts of the animals composing the mass being very small in comparison to the solid portions of which the whole structure is built. The fan-corals, on the contrary, are elastic and flexible. They stand upon the ocean bottom on a sort of root, or at least upon a solid base which resembles a root, and their spreading leaves rise lightly in the water and wave with its motion as if stirred by the wind. They are of many colors, — various shades of brown, green, and purple, the latter being especially predominant. Mingled as they often are with a kind of vegetable coral called coralline, resembling sea-weed, and with the bright red, purple, or orange-colored sponges which abound along the Florida coast, you may well be reminded, when looking down upon them, of a brilliant flower-bed.

We could not have had a better day for our excursion than the one we had chosen. It happened to be a season of spring tides, so that the ebb tide was remarkably low. In some places large masses of coral were left exposed, and indeed there were portions of the reef over which one might walk, not dry shod certainly, but springing from one coral stock to another. Other portions were still covered, even at the lowest tide, by six or eight feet or even three or four fathoms of water. I am sure that all the boys who read this would gladly have shared in the fun of that afternoon. We had three or four boats, and the greater part of the ship’s company were in them. All had come dressed for aquatic adventures, and soon there was scarcely a man left in the boats. In every variety of rough and picturesque costume, they were stalking about on the reef, — sometimes wading up to their waists or their shoulders, sometimes swimming in the deeper places, sometimes diving after a desirable specimen. Armed with boat-hooks, crow-bars, logs of wood, or whatever else they could lay their hands upon, all were engaged in dislodging the more solid and heavier masses, or in breaking off the delicate fans and the finger-corals. It was a play-day for all. I doubt if ever before the reef had resounded to such gayety, — the shouts and laughter of the men echoing on every side as they plunged and tumbled about in the water. Now and then the mirth was varied by cries of another kind, when some one, by mistake, laid hold of the sharp spines of a sea urchin, or got a sting from the so-called sea-worm. But these incidents were not numerous, and, after all, raised a laugh in the end.

At last, when all were fairly tired out with work and play, we returned to the vessel, rowing back in the sunset over a sea so calm that no ripple, except those made by our oars, broke its surface. Such was our day at Carysfort Reef, and if I have told my story well, I think you will admit that it was one to be pleasantly remembered. In my next article I shall tell you something of the different kinds of coral when alive, as I saw them during our cruise, and explain the reefs and keys of Florida more at length.

Original illustration by John Harley from Our Young Folks, p. 543.
End illustration by John Harley.
Agassiz, Elizabeth CAbot Cary. “A Day on carysfort reef.” Our Young folks 5, No. 8 (August 1869): 536-43.

[1] Cuttlefish are small invertebrates (just over an inch to 20 inches long) with eight arms and two tentacles attached to their heads. There are over 120 species of these tiny cephalopods (a group that also includes octopuses, squid, and nautiluses) all over the world.

[2] This is most likely an anglicized version of the Portuguese word “garoupa,” or grouper. Groupers are among the most common fish in the Florida Keys.

Contexts

Carysfort Reef, like several others in the Keys, is named for a British warship that ran aground at that section of reef. The Florida Keys reefs were dangerous to the increasing ship traffic of the 18th and 19th centuries. An industry grew around salvaging ships and their goods. For a time, Key West was the wealthiest U.S. city per capita. Dry Tortugas and Carysfort had lightships (anchored boats with lanterns on their masts) by 1825 and 1826, respectively, but ships still ran aground.

In 1851, the U.S. Coast Survey, which had begun overseeing mapping of the Keys reefs, had Louis Agassiz examine potential lighthouse locations. This return trip to Carysfort that Elizabeth Agassiz describes happened between two expeditions she planned. She traveled to Brazil in 1865, managed the trip, and kept a journal that she would later combine with Louis’s notes and publish. Later, she negotiated Louis’s involvement in the Hassler Expedition to the Straits of Magellan. Agassiz became the first president of the Society for the Collegiate Instruction of Women, which would later become Radcliffe College.

Resources for Further Study
Contemporary Connections

Carysfort Reef is one of the Florida Keys’ Sanctuary Preservation Areas, which protect the threatened elkhorn, star, and brain corals — North America’s only living barrier reef. These shallow corals are popular with snorkelers and scuba divers and were historically frequented by fishers, but overuse contributed to the reef’s decline. Permanent mooring buoys now prevent damage from boat anchors, and sanctuary staff closely monitors activity along the reef. NOAA leads an ongoing partnership for Mission: Iconic Reefs, which manages coral outplanting in an effort to restore reefs within FKNMS.

Categories
1920s African American Ocean Poem

The Enchanted Shell

The Enchanted Shell

By H. Cordelia Ray
Annotations by Rene Marzuk
Odilon Redon. The Seashell. Pastel, 1912, Musée d’Orsay, Paris, France. Public Domain.
Fair, fragile Una, golden-haired,
With melancholy, dark gray eyes,
Sits on a rock by laughing waves,
Gazing into the radiant skies;

And holding to her ear a shell,
A rosy shell of wondrous form; 
Quite plaintively to her it coos
Marvelous lays of sea and storm.

It whispers of a fairy home
With coral halls and pearly floors,
Where mermaids clad in glist’ning gold
Guard smilingly the jeweled doors.

She listens and her weird gray eyes
Grow weirder in their pensive gaze.
The sea birds toss her tangled curls,
The skiff lights glimmer through the haze.

Oh, strange sea-singer! what has lent
Such fascination to thy spell?
Is some celestial guardian
Prisoned within thee, tiny shell?

The maid sits rapt until the stars
In myriad shining clusters gleam;
“Enchanted Una,” she is called
By boatmen gliding down the stream.

The tempest beats the restless seas,
The wind blows loud, fierce from the skies;
Sweet, sylph-like Una clasps the shell,
Peace brooding in her quiet eyes.

The wind blows wilder, darkness comes,
The rock is bare, night birds soar far;
Thick clouds scud o’er the gloomy heav’ns
Unvisited by any star.

Where is quaint Una? On some isle,
Dreaming ‘mid music, may she be?
Or does she listen to the shell
In coral halls within the sea?

The boatmen say on stormy nights 
They see rare Una with the shell,
Sitting in pensive attitude,
Is it a vision? Who can tell?
Winslow Homer. A Swell of the Ocean. Watercolor over Graphite on Wove Paper, 1883, Fine-Arts Museum of San Francisco. Public Domain.
RAY, H. CORDELIA. “THE ENCHANTED SHELL,” IN THE UPWARD PATH: A READER FOR COLORED CHILDREN, ED. MYRON T. PRITCHARD AND MARY WHITE OVINGTON, 63-5. NEW YORK: HARCOURT, BRACE AND HOWE, 1920.
Contexts

Ray’s poem was included in The Upward Path: A Reader for Colored Children, published in 1920 and compiled by Myron T. Pritchard and Mary White Ovington. The volume’s foreword states that, “to the present time, there has been no collection of stories and poems by Negro writers, which colored children could read with interest and pleasure and in which they could find a mirror of the traditions and aspirations of their race.”

Definitions from Oxford English Dictionary:

lay: A short lyric or narrative poem intended to be sung.

scud: To run or move briskly or hurriedly; to dart nimbly from place to place. Also, to sail or move swiftly on the water. Now chiefly (and in technical nautical use exclusively), to run before a gale with little or no sail.

skiff: A small seagoing boat, adapted for rowing and sailing.

Resources for Further Study
  • Read other poems by H. Cordelia Ray at the Poetry Foundation‘s website.
  • H. Cordelia Ray’s father, Charles Bennett Ray (1807-1886), was a member of the American Anti-Slavery Society, “conductor” of the Underground Railroad, and editor of The Colored American newspaper (1837-1841).

Categories
1920s African American Ocean Poem

It’s a Long Way

It’s a Long Way

By William Stanley Braithwaite
Annotations by Rene Marzuk
Winslow Homer. Light Blue Sea at Prout’s Neck. Watercolor on paper, c. 1893-94, Hirsch & Adler Galleries. Public Domain.
It’s a long way the sea-winds blow
    Over the sea-plains blue,—
But longer far has my heart to go
    Before its dreams come true.

It’s work we must, and love we must,
    And do the best we may,
And take the hope of dreams in trust
    To keep us day by day.

It’s a long way the sea-winds blow—
    But somewhere lies a shore—
Thus down the tide of Time shall flow
    My dreams forevermore.
BRAITHWAITE, WILLIAM STANLEY. “IT’S A LONG WAY,” IN THE UPWARD PATH: A READER FOR COLORED CHILDREN, ED. MYRON T. PRITCHARD AND MARY WHITE OVINGTON, 181-82. NEW YORK: HARCOURT, BRACE AND HOWE, 1920.

Contexts

Braithwaite’s poem was included in The Upward Path: A Reader for Colored Children, published in 1920 and compiled by Myron T. Pritchard and Mary White Ovington. The volume’s foreword states that, “to the present time, there has been no collection of stories and poems by Negro writers, which colored children could read with interest and pleasure and in which they could find a mirror of the traditions and aspirations of their race.”

Resources for Further Study
  • Find other poems by William Stanley Braithwaite at Poets.org.

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