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1850s Poem

THE RHYME OF THE DÉPÔT

THE RHYME OF THE DÉPÔT

By J.S.
Annotations by Kristina bowers
A color illustration showing the interior of a railroad station. Trains, baggage, and people can be seen on the platform.
Frederick Warne, The Children’s Object Book (London; New York: F. Warne & Co. , 188-?), 8. Public domain.
              I.
Vanity of vanities,
    Climax of vexation,
Waiting for the cars
    At a rail-road station:
Thinking every moment
    That the train will go,
Worrying out an hour
    In a small dépôt![1]

              II.
Sultry summer day, 
    Hot Sahara weather,
Motley crowd of people
    Huddled up together;
Crowded in a room
    Filled with ‘loafers’ smoking,
Wits and politicians
    Arguing and joking.

             III.
Every class of people
    In this mighty nation, 
Fully represented
    In the rail-road station.
Restless, whistling Yankee,
    With impatient tread,
Wishes that the cars
    Would just ‘go ahead’!

              IV.
Funny little Frenchman,
    With ejaculations,
Shows his impatience
    In gesticulations.
Rowdy at the glass,
    With a fierce moustache,
Obviously thinks
    That he cuts a ‘dash.’

               V.
Corpulent old fellow,
    Looking very wise,
With a lazy yawn
    Closes up his eyes;
Waiting for the cars,
    It is no wise odd
That he takes a train
    To the land of Nod!

              VI.
Eager politician,
    Closing up his peepers,
Runs off in a train
    Laid on heavy sleepers;
  
Paper in his hand
    So the stranger teaches,
He was lulled to sleep
    By Kossuth’s[2] long speeches!
    
              VII.
Philosophical stranger
    Says the cars are late,
But we all must learn
    ‘To labor and to wait.’
Suddenly is heard 
    An unearthly scream;
‘T is the engineer 
    Letting off the steam!

             VIII.
Universal rush
    For the narrow door,
Half-a-dozen sprawling
    On the muddy floor: 
One would think the people,
    Crowding in so fast,
Thought that every moment
    Was to be their last.

               IX.
Every one impatient, 
    Every body grumbling,
Train at length comes in
    With tremendous rumbling:
Like a band of furies[3]
    From the realms below,
Wildly rush the inmates
    Of the small dépôt.

                X.
Elbowed, jammed, and crowded,
    We may thank our stars
If we find a seat
    In the rail-road cars:
Chuckling with delight,
    With congratulation,
That we have escaped 
    From that rail-road station.

               XI.
Worst of the little miseries
    That in life beset us,
Greatest of the troubles
    That for ever fret us,
Waiting one long hour
    For the cars to go,
Elbowed, jammed, and crowded
    In a small dépôt!
[Group at Potsdam Depot]” Photograph. n.d. From Potsdam Public Museum: Potsdam Railroad, 1850 to 2000. In copyright – Educational Use Permitted.
S., J. “The rhyme of the DÉPÔT.” The knickerbocker; or new york monthly magazine 40, no. 4 (october 1852): 315.

[1] Dépôt: French for “A deposit or place of deposit.” The American English usage of “depot” to mean railroad station became popularized in 1842.

[2] Lajos Kossuth, a Hungarian revolutionary leader, came to America in December 1851 and embarked on a speaking tour, garnering the support of many Americans.

[3] Furies are goddesses of vengeance who reside in the Underworld in Greco-Roman mythology.

Contexts

By 1852, when this piece was published, the first phase of the American railroad expansion had been completed. Competition from canals, unorganized and haphazard layout, and decentralized oversight were all characteristics of railroad development from the early 1800s to about 1850. At the mid-point of the 19th century, steam engines had only been around for about 20 years but had succeeded in transforming the American rail system into the most popular and utilized mode of transportation in the country.

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